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・ Piano Trio No. 1 (Arensky)
・ Piano Trio No. 1 (Brahms)
・ Piano Trio No. 1 (Mendelssohn)
・ Piano Trio No. 1 (Schubert)
・ Piano Trio No. 1 (Shostakovich)
・ Piano Trio No. 2
・ Piano Trio No. 2 (Brahms)
・ Piano Trio No. 2 (Mendelssohn)
・ Piano Trio No. 2 (Schubert)
・ Piano Trio No. 2 (Shostakovich)
・ Piano Trio No. 3
・ Piano Trio No. 3 (Brahms)
・ Piano Trio No. 3 (Schumann)
・ Piano Trio No. 39 (Haydn)
・ Piano Trio No. 4
Piano Trio No. 4 (Dvořák)
・ Piano trio repertoire
・ Piano Trio, Op. 11 (Beethoven)
・ Piano Trio, Op. 97 (Beethoven)
・ Piano Trio, WoO. 38 (Beethoven)
・ Piano Trios, Op. 1 (Beethoven)
・ Piano Trios, Op. 70 (Beethoven)
・ Piano trolley
・ Piano tuning
・ Piano Variations
・ Piano Variations (Copland)
・ Piano Vibrations
・ Piano Vortex
・ Piano wire
・ Piano Wire Smile


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Piano Trio No. 4 (Dvořák) : ウィキペディア英語版
Piano Trio No. 4 (Dvořák)
The Piano Trio No. 4 in E Minor, Op. 90, B. 166, (also called Dumky trio from the subtitle ''Dumky'') is a piece by Antonín Dvořák for piano, violin and cello. It is among the composer's best-known works.
At the same time it is a prominent example for a piece of chamber music deviating strongly from the sonata form.
==Title==
''Dumky'', the plural form of ''dumka'', is a term introduced into Slavic languages from the Ukrainian. Originally, it is the diminutive form of the term ''duma'', plural ''dumy'', which refers to epic ballads, specifically a song or lament of captive people.〔Keller, James. ''Chamber Music: A Listener's Guide''. New York: Oxford University Press, 2011.〕 During the nineteenth century, composers from other Slavic countries began using the ''duma'' as a classical form used to indicate a brooding, introspective composition with cheerful sections interspersed within. Dvořák used the ''dumka'' form in several other compositions, including his Dumka for Solo Piano, Op. 35; Slavonic Dance No. 2; String Sextet; and his Piano Quintet, Op. 81

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